Environment and Sustainability Publishing from Ashgate and Gower

Posted by Katy Crossan, Commissioning Editor

How do we secure a sustainable future?

Social science and humanities scholars have much to contribute to crucial debates around policy, as well as asking fundamental questions about how we understand the history of our environment and the impact of business, culture and society on sustainability.

The issue of how we secure a sustainable future for our society, the environment and natural resources does and should involve cross-disciplinary research.

With this in mind we have brought together over 150 of our key titles on environmental and sustainability research from across the Ashgate and Gower publishing programmes in our new Environment and Sustainability webpage to make it easier to navigate the broad range of titles and series we offer in this area.

Ashgate authors Iain J. M. Robertson and Richard A. Marsden shortlisted for the Saltire Society Literary Awards

Posted by Beth Whalley, Marketing Executive

Ashgate authors Iain J. M. Robertson and Richard A. Marsden were among those honoured at Scotland’s prestigious Saltire Society Literary Awards on Tuesday, 11th November 2014. Robertson and Marsden were shortlisted for the Research Book of the Year Award and History Book of the Year Award respectively, in the company of acclaimed academics and famed fiction writers, all of whom reside in Scotland, are of Scottish descent, or take a Scottish figure, historical event, or issue as their subject.

In a true celebration of Scottish literary talent, the Awards ceremony took place at Dynamic Earth, an iconic visitor attraction set at the heart of Edinburgh’s World Heritage Site, and was supported by the British Council Scotland, Waterstones, the Scottish Historical Review and the National Library of Scotland, amongst others.

Cosmo Innes and the defence of Scotlands pastBoth authors enrich our understandings of crucial moments in Scotland’s history. Marsden considers the work of the influential antiquarian Cosmo Innes (1798-1874) to answer the question of how Victorian Scots reconciled an independent history with a unionist present. Innes, a prolific editor of medieval and early modern documents relating to Scotland’s parliament, universities and church, operated within an elite network, had access to the leading intellectuals and politicians of the day, and had significant influence on a contemporary understanding of Scottish history. Marsden’s ‘masterly scholarly monograph’ (Stefan Berger, Ruhr-Universitaet Bochum, Germany) therefore provides a window onto the ways in which the Scots viewed their own ‘national past.’ You can read more about Cosmo Innes, and its relationship with Scotland’s contested identity in the 21st century, here.

Lanscapes of Protest in the Scottish HighlandsRobertson’s ‘critical landmark in protest history’ (Carl Griffin, University of Sussex, UK) draws on oral testimony and individual case studies to provide a lens through which to explore the fluid and contingent nature of protest performances. He turns to the Scottish Highlands in November 1918. Agrarian change threatened a wave of unemployment and eviction for the land-working population, and those who had served during the First World War found themselves returning to social and economic conditions that should have been left behind. Widespread social protest rapidly followed. Robertson navigates these events in order to illustrate how a range of forms of protest demanded attention (unlike the earlier Land Wars period, these protests were successful) and illustrate the formative role of landscape in people’s lifespaces.

We’d like to extend our congratulations to Richard, Iain, and all the other winners and shortlisted authors honoured at the awards.

Richard A. Marsden works for Cardiff University where he teaches History and coordinates a foundation pathway enabling adults without formal qualifications to progress onto degrees in the historical disciplines. More information about Cosmo Innes and the Defence of Scotland’s Past c. 1825-1875

Iain J. M. Robertson is Senior Lecturer in History at the University of Gloucestershire. More information about Landscapes of Protest in the Scottish Highlands after 1914: The Later Highland Land Wars

Border Walls 25 Years After the Fall of the Berlin Wall

Posted by Katy Crossan, Commissioning Editor

The fall of the Berlin Wall 25 years ago this month raised hopes of a new borderless era however in recent years the border wall has been given renewed vigour, particularly along the U.S.-Mexico border, and in Israel-Palestine. The success of these new walls in the development of friendly and orderly relations between nations (or indeed, within nations) remains unclear. What role does the wall play in the development of security and insecurity? Do walls contribute to a sense of insecurity as much as they assuage fears and create a sense of security for those ‘behind the line’? Exactly what kind of security is associated with border walls?

Borders fences and wallsTackling these questions, Borders, Fences and Walls edited by Élisabeth Vallet, explores the issue of how the return of border fences and walls as a political tool may be symptomatic of a new era in border studies and international relations. Taking a multidisciplinary approach, it examines problems that include security issues ; the recurrence and/or decline of the wall; wall discourses ; legal approaches to the wall; the ‘wall industry’ and border technology as well as their symbolism, role, objectives and efficiency.

Élisabeth Vallet has recently been interviewed by the Courrier International and her research has informed an article in the Washington Post.

Élisabeth Vallet is Adjunct Professor in the Department of Geography and scientific director of Geopolitics at the Raoul Dandurand Chair at the University of Quebec at Montreal, Canada.

New series: Sexualities in Society, edited by Helen Hester – call for proposals

Posted by Claire Jarvis, Senior Commissioning Editor

Ashgate Publishing is delighted to announce the launch of a new series: Sexualities in Society. Edited by Helen Hester (Lecturer in Promotional Cultures at Middlesex University, UK and author of Beyond Explicit: Pornography and the Displacement of Sex (SUNY Press, 2014) and co-editor of Fat Sex (Ashgate, 2015), it will offer a dedicated and much-needed space for the very best in interdisciplinary research on sex, sexualities, and twenty-first century society.

Its contemporary focus, methodological inclusivity, and international scope will provide a distinctive vantage point in terms of surveying the social organization of sexuality. It critically addresses numerous aspects of sex and sexuality, from media representations, to embodied sexual practices, to the sometimes controversial issues surrounding consent, sexual fantasy, and identity politics. It represents a critically rigorous, theoretically informed, and genuinely interdisciplinary attempt to interrogate a complex nexus of ideas regarding the ways in which sexualities inform, and are informed by, the broader sociopolitical contexts in which they emerge.

For further information about the series, including details of how to submit a proposal, please email Senior Commissioning Editor for Sociology Claire Jarvis (cjarvis@ashgatepublishing.com).

Honorable Mention for Cruz and Stampino’s ‘Early Modern Habsburg Women’ at the SSEMW Book Awards

Posted by Beth Whalley, Marketing Executive

Early Modern Habsburg WomenWe’re delighted to announce that the Society for the Study of Early Modern Women has awarded an honourable mention to Early Modern Habsburg Women: Transnational Contexts, Cultural Conflicts, Dynastic Continuities (2013) in the category of Best Collaborative Project in their 2013 Book Awards. The society awards this prize to the best edited collection or multi-authored volume on women and gender in the early modern period.

The committee declared that they were particularly impressed by:

“how the collection gathers together in one place essays on six remarkable women of the Spanish and Austrian Habsburg dynasties. The transnational, comparative, and interdisciplinary scope of the essays illuminate the complex negotiations performed by these powerful women who crossed borders defined by gender, geography, language, culture, and politics. The volume exemplifies the richness of women’s history that travels across and between political, disciplinary, and methodological boundaries.”

The six Habsburg women examined in the volume – queens, duchesses, vicereines, and even a nun – had a lasting impact on the diplomatic map of early modern Europe. Through an investigation of archival documents, pictorial and historical accounts, literature, and correspondence, as well as cultural artifacts such as paintings, jewellery and clothing, contributors bring to light the real power of early modern Habsburg women as they moved from court to court and transferred their cultural, religious and diplomatic traditions.

The volume, edited by Anne J. Cruz and Maria Galli Stampino, boasts a variety of contributors from across the globe, and we would like to congratulate each of them for this latest achievement. This isn’t the first time that an Ashgate book co-edited by Anne J. Cruz has been honoured by the SSEMW; Women’s Literacy in Early Modern Spain and the New World (2011) won the prize for Best Collaborative Project in 2011.

About the Editors: Anne J. Cruz is Professor of Spanish and Cooper Fellow at the University of Miami. Maria Galli Stampino is Professor of Italian and French also at the University of Miami.

Contributors: Anne J. Cruz; Joseph F. Patrouch; Maria Galli Stampino; Blythe Alice Raviola; Magdalena S. Sánchez; Vanessa de Cruz Medina; Félix Labrador Arroyo; María Cruz de Carlos Varona; Silvia Z. Mitchell; Mercedes Llorente; Laura Oliván Santaliestra; Cordula van Wyhe.

More information about Early Modern Habsburg Women: Transnational Contexts, Cultural Conflicts, Dynastic Continuities

New series: Image, Text and Culture in Classical Antiquity – Call for proposals

We are currently seeking book proposals for a new series Image, Text and Culture in Classical Antiquity edited by Michael Squire, King’s College, London

Since the Renaissance – and arguably much earlier – European culture has looked to the Classical world for inspiration and enlightenment, and measured its own achievements by the standards of the classical world.

In order to better comprehend this culture, both on its own terms and in light of subsequent generations, this new series provides an innovative and interdisciplinary forum for original research into the arts, literature and cultural history of the Classical World. Attuned to the ways in which different cultural forms mediate different understandings of the Classical past, the series explores both the problems and opportunities of reconstructing classical culture from its surviving archaeological and literary traces. By crossing traditional disciplinary and subdisciplinary boundaries within and beyond the field of Classics, and drawing on approaches developed outside its historicist parameters, the series engages a broad readership from a range of academic perspectives.

As the series title suggests, one defining interest is the intersection (no less than divergence) between Classical visual and verbal media. In what ways do images and texts construct different records of the past, and how did ancient artists and writers themselves theorise the relations between the readable and the visible? Drawing on recent comparative literary and visual cultural studies, the series explores how interdisciplinary approaches can illuminate different aspects of ancient cultural and intellectual history, whilst also showing how Classical materials can in turn nuance more modern theories of visual and verbal mediation.

The Classical world offers a unique opportunity for such study, not only due to its influence on subsequent western literary and artistic traditions, but also because its art is matched only by the sophistication of contemporary written and inscribed texts (and vice versa). The simultaneously collaborating and competing relationships between different media raise broader questions about both historical method and the history of western reading and seeing.

Publishing monographs concerned with all periods of Classical and Graeco-Roman history, from Archaic Greece all the way through to late antiquity, the series is particularly interested in projects structured according to theme, medium or methodological problem rather than chronological timeframe. By studying relations between different media, it offers new historical perspectives on the cultural contexts that gave rise to them; probing, interrogating and provoking scholarship across a wide range of academic disciplines.

For more information on how to submit a book proposal to the series, please contact Tom Gray, at tgray@ashgatepublishing.com.

Series Advisory Board:

Professor Jas’ Elsner, University of Oxford / University of Chicago

Professor Jonas Grethlein, Ruprecht-Karls-Universität, Heidelberg

Professor François Lissarrague, l’École des hautes études en sciences sociales, Paris

Professor Katharina Lorenz, University of Nottingham

Professor Clemente Marconi, New York University

Professor Susanne Muth, Humboldt-Universität zu Berlin

Professor Richard Neer, University of Chicago

Professor Verity Platt, Cornell University

Dr Jeremy Tanner, University College London

Professor Jennifer Trimble, Stanford

Professor Tim Whitmarsh, University of Oxford

Professor Froma Zeitlin, University of Princeton

The Long Shadows of War: The Aftermath and Legacies of Conflicts in Europe – a guest post from Tim Haughton

Tim HaughtonThis is a guest post by Tim Haughton, Reader (Associate Professor) in European Politics at the Centre for Russian and East European Studies, at the University of Birmingham.

This year is full of poignant anniversaries; none more so than the outbreak of the First World War. Whilst the century of the outbreak of ‘the war to end all wars’ has focused attention on the causes of the conflict, as the contributions to the forthcoming edited volume, Aftermath: Legacies and Memories of War in Europe, 1918-1945-1989 highlight, the sight of poppies in the first half of November should also give us pause to reflect on the long shadows cast by that war.

The First World War was the defining conflict of modern European history. Empires were swept away, new states created, social relations were transformed, and old orders were defeated or weakened, bringing in some cases new forces to power, galvanized and legitimized by radical ideological agendas.

Although a century has passed since the guns fell silent and we have lost the last living connections to those battlefields, the aftermath of the First World War, particularly the redrawing of the borders through the Peace Treaties of 1919–1923, continues to matter. Versailles, St. Germain and Trianon bequeathed demographic legacies which shape domestic politics and colour relations between countries, such as Hungary and Slovakia, long after the last casualty fell on the battlefield.

The shadows of war, however, not only matter for countries. We should not underestimate the impact of war and its immediate aftermath on ordinary citizens. Young men were forced to fight in the dirty, noisy and cramped trenches of the First World War, periodically putting their heads above the parapet and advancing into volleys of machine gun fire when asked to go over the top for the sake of a few metres of muddy Flanders fields. For them the war was a profoundly formative experience. The sense of loss and sacrifice felt by the returning soldiers marked them out and isolated them from others in their societies, and this inevitably created divisions.

Indeed, wars create multiple divisions: not just between different countries and empires, and not just between different ethnic groups and regions within a country, but also, as one of the contributors to the volume Mary Fulbrook argues, between generations. War is a transformative experience, which affects generations in different ways. Different generations draw different conclusions and find it difficult to relate to other generations whom they see as obsessive or fundamentally detached from the conflict.

Stress on the individual underlines that there are both private and public aftermaths of war which may sometimes stand in stark contrast. The reified historical narratives of the public may grate and be at odds with the painful personal aftermaths of soldiers and civilians.

Nonetheless, the dark clouds of war can have their silver linings. As Stephen Forcer’s chapter in the volume highlights, such tensions between the personal and the public can provoke – or at least contribute to ‒ innovative cultural trends like the emergence of Dada and Surrealism both of which emerged in part as a reaction to officials and national narratives about the First World War. Indeed, it seems appropriate that from the most absurd of modern conflicts emerged schools of thinking which reify the absurd.

***

Tim Haughton is Reader (Associate Professor) in European Politics at the Centre for Russian and East European Studies, at the University of Birmingham. He is author of ‘Constraints and Opportunities of Leadership in Post-Communist Europe’ (Aldershot & Burlington, 2005) and editor of ‘Party Politics in Central and Eastern Europe: Does EU Membership Matter?’ (London, 2010); and ‘The JCMS Annual Review of the European Union’ (Oxford, 2009-present). He was Director of the Centre for Russian, European and Eurasian Studies from 2012 to 2014.Aftermath

Aftermath: Legacies of War in Europe – 1918, 1945, 1989, edited by Nicholas Martin, Tim Haughton and Pierre Pursiegle is published by Ashgate in December 2014.