Author Archives: whitneyashgate

How to Work with a Scholarly Press – announcing the return of our blog series!

Posted by Alyssa Berthiaume, Marketing Coordinator, and Whitney Feininger, Assistant Editor

We are happy to announce the return of a special feature on our blog:

“How to Work with a Scholarly Press”

You may have noted that in the last year we have occasionally featured posts specific to working with an academic publisher. These posts have examined topics like submitting a proposal, the importance of word count, preparing the final manuscript, and attending conferences.

This year we are moving from the occasional post to an actual blog series, continuing to cover a variety of practical topics—both general and specific— across all aspects of publishing with advice from our commissioning, desk-editorial, and marketing staff as well as from our authors and series editors. Our hope is to educate authors on practical issues with working with a press and to empower them to deliver better and more complete proposals and manuscripts. In general, we aim to address two new topics per quarter—the first two to appear online before the end of March.

You will be able to find these posts (new and old) under the category “Author Advice.” We will also be announcing the appearance of new posts through status updates on Facebook and Twitter, so be sure to friend and follow us on those sites.

If there are any particular topics you would like to see reviewed, please let us know by leaving a comment.

Announcing a New Series from Ashgate Publishing: Outlaws in Literature, History, and Culture

Posted by Whitney Feininger, Assistant Editor, Literary Studies

Lesley A. Coote and Alexander L. Kaufman are very excited about the future of outlaw studies and its home with Ashgate. We have assembled an international advisory board of scholars, and we welcome proposals for monographs, essay collections, and scholarly editions of primary texts.

Outlaws in Literature, History, and Culture examines the nature, function, and context of the outlaw and the outlawed – people, spaces, practices – in the pre-modern world, and in its modern representations. By its nature, outlawry reflects not only the outlawed, but the forces of law which seek to define and to contain it. Throughout the centuries, a wide and ever-changing, and yet ever familiar, variety of outlaw characters and narratives have captured the imagination of audiences both particular and general, local and global.

This series seeks to reflect the transcultural, transgendered and interdisciplinary manifestations, and the different literary, political, socio-historical, and media contexts in which the outlaw/ed may be encountered from the medieval period to the modern. We accept proposals for scholarly monographs and edited collections of essays whose focus includes literary, historical, folkloric, and cultural studies; critical editions; and translations of outlaw texts. And while the outlaw is perhaps best known as a figure from the Middle Ages, the lives of outlaws continue to live well beyond the medieval period; as such, Outlaws in Literature, History, and Culture’s chronology begins in the Middle Ages and continues to the present day.

To submit a proposal, please send either a preliminary letter of inquiry or a formal prospectus to the series editors and to Ashgate Publishing at the following email addresses:

Lesley Coote l.a.coote@hull.ac.uk

Alex Kaufman akaufman@aum.edu

Whitney Feininger wfeininger@ashgate.com

Please visit the series website or stop by the Ashgate booth at Kalamazoo for more information!

How to Work with a Scholarly Press – At a Conference

Posted by Whitney Feininger, Assistant Editor

Ashgate attends a number of academic conferences per year. You can see the list of attended conferences and which Ashgate staff member will be attending here. At each conference we’ll have a number of our new books in subject area on display and representatives from our marketing and commissioning staffing the booth.

If you’d like to discuss a proposal or publishing with Ashgate, see if the commissioning editor is attending and send an email to set up an appointment with them. While you can try dropping by the press display onsite in case an editor is available to speak to you, your best bet is to set an appointment in advance.  The editor will try to find a quiet spot but you may have to discuss your project at the booth. Conferences are busy!

Dos and Don’ts

  • If possible, locate the booth ahead of time. Our booth number and location should be printed in the conference materials.
  • Have your “elevator pitch” – a brief description of your book project – ready
  • Don’t give your commissioning editor a lot of documents.  Do give the commissioning editor one of your business cards and make sure to take one of the editor’s.
  • If you can miss a session, try to meet with the editor then. Coffee breaks tend to be a very busy time at the book exhibit. Please understand that the editor will probably need to stay at or near the booth, especially when they are the only press representative staffing the booth.
  • Do follow up with your commissioning editor, via email, with your proposal documents or just to say hello. If a lot of time passes between the conference and submitting your proposal, mention that you spoke at the conference.
  • Do stop by and greet the staff. If a commissioning editor is not attending a conference, take a moment speak with the marketing coordinators. They can answer questions about Ashgate and can put you in touch with the proper commissioning editor.  And make sure to take a look at the newest books in your field!

How to Work with a Scholarly Press – Submitting the Final Manuscript

Posted by Whitney Feininger, Assistant Editor, Literary Studies

Submitting the final manuscript is one of the most exciting steps in the publishing process! This is the point where your commissioning editor will double-check your text, artwork, and permissions and make sure everything is organized and suitable for publication.  Unfortunately we can’t forward the manuscript on to our desk editorial department until everything has been submitted.  Here are some tips and tricks from Ashgate’s commissioning editors for a smooth process.

  • Read through the author guidelines you received with your contract. All of the instructions for submitting your manuscript are in the guidelines. If you need another copy, .pdfs of the author guidelines are available on the website or contact your commissioning editor.
  • Do not send the manuscript as one large Word file.  Using the table of contents as a guide, separate the manuscript out into individual chapters and label them individually. We also need a separate document for the title page, acknowledgments, lists of illustrations, part titles pages.
  • Submit all of the materials (manuscript, including Acknowledgements and Bibliography; permissions; and artwork, including for the cover) at one time – and keep a copy of everything!
  • For a book with internal images, ensure that all digital files you supply for illustrations are high resolution.  For half tones, the resolution needs to be at least 300 dpi; for line art, 1200 dpi.  Make sure to include a List of Illustrations in the front matter, and to send artwork for each image to be included in the book.
  • Label all of the figures – artwork, tables, graphs, correctly. These instructions are in the author guidelines.
  • Indicate where the figures should go in the text and specify whether they should be reproduced in landscape or portrait mode.
  • Permissions are a very important feature of your delivery; we cannot begin the production process for your book without a complete set of these documents. Please make sure they are all in order and that, unless otherwise agreed with your editor (for example, for a heavily illustrated book which may not be issued in electronic format) that they cover both print and e-book editions.
  • Label the permissions with their corresponding figure.  Again, be sure to keep a complete set of permissions for your own records.
  • Submit your contributor forms and make sure you’ve provided all of the contributors’ addresses – so that we can ensure that every contributor gets a copy of the published book.
  • Include a copy of the filled-out Typescript Delivery Form included in your author guidelines.
  •  Finally, if there is anything that is not clear to you, ask your commissioning editor.

This is the third post in our occasional series: “How to Work with a Scholarly Press”

How to Work with a Scholarly Press: What’s in a Word Count?

How to work with a scholarly press:  What’s in a word count?

by Erika Gaffney, Publishing Manager

Why do publishing houses ask prospective authors to estimate the extent of a book manuscript in words rather than pages?  A word count—and it must be emphasized, this should include notes and bibliography, as well as the main text—gives the publisher the best indication of the length of the eventual book in typeset pages.  This in turn allows a press to gauge with reasonable accuracy how much investment the book will require, and therefore to assess whether the project is likely to be economically viable.

A page estimate is much less helpful in this regard.  Given the dizzying array of computer fonts available—as well as different options in terms of font size, margins and line spacing—the number of words contained on a page can vary dramatically from author to author.

So the prospective author who hopes to secure a contract, or the contracted author who has committed to meet the terms of that contract (which usually includes a minimum and/or maximum extent, stated in words), must be conscious of the word count of their manuscript.

But what is the fastest way for an author to obtain an accurate word count?  Word processing programs include a tool that makes it easy!  Here, for authors using Microsoft Word (2003 or 2010), are instructions on conducting a word count:

For Microsoft 2003:

-         Open your Word document prior to conducting the word count*

-         On the menu at top of the screen, click on “tools”

-         From the “tools” drop down menu, select “word count”

-         In the bottom left of the dialogue box, make sure to check the “include footnotes and endnotes” option

-         The word count is displayed in the second line of the dialogue box

For Microsoft 2010:

-     Open your Word document prior to conducting the word count

-     At the bottom of the page is a gray tool bar. In the bottom left corner is an indication of how many pages are in the document; right next to that is an indication of the number of words in the document

-     the number of words given at the bottom may or may not include notes; to doublecheck, click your mouse on top of the word count

-     clicking on that word count brings up a dialogue box; look at the bottom of that box to ensure that the box labelled “Includes text boxes, footnotes and end notes” is checked; if it isn’t, check it

-     Once you’ve ascertained the box is checked, the word count displayed in the second line of the dialogue box is the actual word count, including notes

Whether one is a prospective or contracted author, knowing the importance of the word count—as well as how to conduct one—is a tremendous advantage in working with a scholarly press.  Happy counting!

This is the second post in our occasional series: “How to Work with a Scholarly Press”

How to Work with a Scholarly Press: Submitting a Proposal

How to Work with a Scholarly Press: Submitting a Proposal

Posted by Whitney Feininger, Assistant Editor, Literary Studies

Think of a proposal as a formal introduction of you and your scholarly work to Ashgate.

Most proposals are delivered to us by email and are evaluated by the relevant commissioning editor. After reviewing it, the commissioning editor will make a decision about whether or not your project is suitable for Ashgate and about sending out materials for review.  Our proposal guidelines and commissioning editors’ email addresses are listed on our website.

As commissioning editors receive quite a bit of correspondence from authors, the more well-organized and thorough a proposal you submit, the more attention and serious consideration it is likely to receive.  Here are some qualities of a good proposal, contributed by our commissioning staff, to help you craft the best possible submission.

-If you are submitting your proposal by email, it is a good idea to put your name, the book’s title, and ‘proposal’ in the subject line. This will help your proposal stand out from the myriad of emails commissioning editors receive.

-Include a table of contents as well as a contents list that includes a short abstract of each chapter.

-Submit the proposal as a Word document and not as a .pdf.  Commissioning editors need to transfer information from the proposal into our internal database and this is difficult when working with a .pdf.

-Include a copy of your CV and full contact details (email, mailing address, and phone #).

-If you are proposing an edited collection, provide contributor biographies.

-Don’t forget the nuts and bolts:  the proposed number of illustrations or tables and the estimated word count.

-Provide a brief abstract or “elevator pitch” for your book – be able to convey what your book is about, its originality, and its place within existing literature in well under 500 words.

This is the first post in a new occasional series on our blog: “How to Work with a Scholarly Press”

These posts will feature different aspects of the publishing process and advice from our commissioning, desk editorial, and marketing staff.  Our hope is to educate authors about practical issues on an every day basis as well as empower authors to deliver a better and more complete manuscript and book proposal and ensure an effective and smooth process.

How to Work with a Scholarly Press – new blog series

We are happy to announce a new occasional feature on our blog:

“How to Work with a Scholarly Press”

These entries will feature different aspects of the publishing process and advice from our commissioning, desk editorial, and marketing staff.  Our hope is to educate authors about practical issues on an every day basis as well as empower authors to deliver a better and more complete manuscript and book proposal and ensure an effective and smooth process.

The first post in the new series will be on how to submit a book proposal, and will be published on Monday 10th.

If there are any particular topics that you would like us to cover, please let us know!

Jane Grogan wins Isabel MacCaffrey Award for Exemplary Spenser

Posted by Whitney Feininger, Assistant Editor, Literary Studies

Ashgate is thrilled to congratulate Jane Grogan, winner of the The Isabel MacCaffrey Award from The International Spenser Society for her book, Exemplary Spenser: Visual and Poetic Pedagogy in The Faerie Queene

The Isabel MacCaffrey Award is awarded each year to best article or book on Spenser published in the preceding two years. The award was presented at this year’s MLA conference.

Jane Grogan is a Lecturer in the School of English, Drama & Film at University College Dublin.

Ashgate at the Shakespeare Association of America Conference, April 7-9, 2011

Whitney Feininger is attending the Shakespeare Association of America conference in Bellevue, WA.

While you’re there please stop by the display and see our newest offerings in Shakespeare and early modern studies and take a look at one of our e-books.

We’ll also be celebrating the tenth anniversary of the Literary and Scientific Cultures of Early Modernity, edited by Mary Thomas Crane and Henry Turner.

Titles from our other early modern series will be on display and we are actively seeking proposals for our newest series, Material Readings in Early Modern Culture, edited by James Daybell and Adam Smyth.

Ashgate is pleased to announce a partner page with the Shakespeare Association of America. SAA members can access the page at http://www.ashgate.com/saa and get the discount code from the member’s section of the SAA website.

Ashgate and Beyond Home Remedy

Posted by Whitney Feininger, Assistant Editor, Literary Studies

Ashgate author Rebecca Laroche (Medical Authority and Englishwomen’s Herbal Texts, 1550–1650), is a curator, with Georgianna Ziegler, Leslie Overstreet, and Steven Turner, of Beyond Home Remedy: Women, Medicine, and Science, on display from January 21 – May 14, at the Folger Shakespeare Library.

This exhibit “highlights women at all levels of society—from the Countess of Kent and Lady Castleton to Hannah Woolley and Mrs. Anne Coates—who were known to practice medicine” and “demonstrates the elaborate nature of the recipes women constructed and shared with one another”.

Dr. Laroche’s book was published in Ashgate’s Literary and Scientific Cultures of Early Modernity series, which is celebrating its tenth anniversay this year. More early modern titles can be viewed on our Early Modern Studies and Women and Gender in the Early Modern World series pages.

Congratulations, Rebecca!