Category Archives: Authors

Margaret Hannay receives Jean Robertson Lifetime Achievement Award from the International Sidney Society

Posted by Ally Berthiaume, Marketing Co-ordinator

Mary Sidney Lady WrothMargaret P. Hannay, Ashgate author of Mary Sidney, Lady Wroth (2010), Ashgate Critical Essays on Women Writers in England, 1550-1700 (2009) and Domestic Politics and Family Absence (2005), was pleasantly surprised when during a discussion of Sidney works at the International Congress on Medieval Studies earlier this month, she was presented with the Jean Robertson Lifetime Achievement Award by the International Sidney Society.  To the rest of us familiar with Hannay’s body of work and her various professional accomplishments, like colleagues, Michael Brennan and Mary Ellen Lamb, we knew it was only a matter of time.

Brennan says, “Margaret Patterson Hannay has long been a leading figure in the study of women writers of the English Renaissance and especially of the Sidney family of Penshurst, Kent. Her wide-ranging scholarship is always coupled with an elegant and incisive delivery of her findings…Her many and authoritative publications will be long valued by other scholars and they stand as an impressive and lasting tribute to her deep knowledge and love of the literature of the English Renaissance.”

“Many” publications is an understatement. Hannay has written and published fifteen books—five of which we are proud to say have been with Ashgate. In addition to those, Hannay has written well-over fifty essays and co-edited nine collections of Sidney letters and, according to Lamb, these contributions to the field “are long-lasting and will be cited by scholars for years to come.”

However, the International Sidney Society, Brennan, and Lamb are not the first or only parties over the years to have taken notice of Hannay’s scholarly works.  Hannay has received countless honors, dating back as early as 1986 when she received a National Endowment for the Humanities.  Prior to this most recent achievement, she received the Book of the Year Award from the Society for the Study of Early Modern Women (SSEMW) in 2010 for her book, Mary Sidney, Lady Wroth. Elaine V. Beilin of Framingham State College described Hannay’s book as:

“a deeply impressive work of scholarship, notable for its remarkable scope and meticulous detail. The book brims with valuable information and astute observations about Wroth’s literary career, marriage, children and social life, and corrects the record on a number of key points with new archival evidence. “

The Correspondence of Dorothy Percy SidneyAlso in 2010 the SSEMW awarded her the Josephine A. Roberts Edition award for The Correspondence of Dorothy Percy Sidney, Countess of Leicester (2010), also an Ashgate book which she edited with Noel J. Kinnamon and Michael G. Brennan.

There is no doubt then of the deservingness of each of these individual awards over the years. Consequently, they serve as overwhelming proof that Hannay has, in fact, achieved a lifetime of accomplishments, making this latest recognition all the sweeter. It is with our greatest pleasure that we congratulate her on her Lifetime Achievement Award.

Margaret Hannay has been a faculty member at Siena since 1980. Her specialty is the literature of early modern England and she currently teaches Elizabethan Literature, English Renaissance Literature, and Shakespeare, as well as the Honors course Great Books for first year students. She has served as chair of the core curriculum committee, of the committee to establish the Honors program, and of the English department.

For more information on Hannay’s publications with Ashgate, please click on the following links:

Mary Sidney, Lady Wroth – Currently offered at a discounted price!

Ashgate Critical Essays on Women Writers in England, 1550-1700

The Correspondence of Dorothy Percy Sidney, Countess of Leicester

Domestic Politics and Family Absence

Professor M.B. Parkes, Dlitt, FBA, FSA, FRHistS

This is a guest post from Pamela Robinson, Institute of English Studies, University of London

The recent death of the eminent palaeographer, Professor M.B. Parkes, saddened the many who had the good fortune to know him as an inspirational teacher, colleague, and friend.  As such, he was the subject of many fond anecdotes as seen in a short series of reminiscences which served as the introduction to the Festschrift published on the occasion of his retirement, Of the Making of Books:  Medieval Manuscripts, their Scribes and Readers;  essays presented to M.B. Parkes (ed. P.R. Robinson and R. Zim), Scolar Press, 1997.

Intellectually generous and hospitable, Parkes remained in retirement ever willing to help both students and established scholars in their researches with his sage advice and accumulated knowledge of all aspects of medieval book production. Parkes’ own works had an immediate and profound impact, and no doubt a long-lasting influence, on the subject with a wide audience as required reading for any serious student of the history of the  medieval book.

His first book, English Cursive Book Hands 1250-1500, the second edition of which was published in 1979 by Scolar, reprinted Ashgate 2008, has not been superseded as an essential guide to the development of the handwriting of the later Middle Ages.  He became an Ashgate author when Scolar Press became an Ashgate imprint in 1986.

Pause and EffectHis Pause and Effect:  an introduction to the history of punctuation in the West, 1992,  is the fundamental book-length study of this important topic, while his last work, Their Hands Before Our Eyes:  a closer look at scribes, 2008, based on his Lyell Lectures in the University of Oxford, 1998-9, reflects a lifetime of meticulous scholarship on all aspects of book culture.

PARKES JKT(281x223)filmsOne collection of significant articles by him was published as Scribes, Scripts and Readers in 1991, and under the Variorum imprint, Ashgate has recently published a second, Pages from the Past:  Medieval Writing Skills and Manuscript Books  (ed. P.R. Robinson and R. Zim), 2012, being the 1000th title in the Variorum Collected Studies series.

Film Philosophy Series Launch

Posted by Claire Jarvis, Senior Commissioning Editor

Ashgate is delighted to announce the launch of a new series – Film Philosophy at the Margins.

MacCormackEdited by Patricia MacCormack (author of Cinesexuality and Posthuman Ethics), this series picks up on the burgeoning field of ‘film philosophy’ – the shift from film analysis and explication to bringing together film with philosophy – and coalesces it with films, genres and spectator theory.

The film philosophy which underpins this series is primarily Continental philosophy, rather than the more dominant field of cognitive film philosophy, utilizing increasingly attractive philosophers for film theory such as Deleuze, Guattari, Ranciere, Foucault, Irigaray and Kristeva.

This series will establish a refined and sophisticated methodology for re-invigorating issues of alterity both in the films chosen and the means by which Continental philosophers of difference can paradigmatically alter ways of address and representation that lifts this kind of theory beyond analysis and criticism to help rethink the terrain of film theory itself.

This is an interdisciplinary series, with each publication appealing not only film scholars and non-academics interested in film, but a variety of disciplines which connect with the larger philosophical questions being addressed.

The first book in the series will be Ruth McPhee’s Female Sexuality in Contemporary Western Cinema due out in 2014.

Both Patricia and I are actively looking for new proposals for the series, so if you’d like further information, please email me at cjarvis@ashgatepublishing.com. I will also be attending the Film Philosophy conference taking place in Amsterdam in July if you’re attending and would like to arrange a face-to-face meeting.

Tom Waldman – Clausewitz and the Politics of War

Earlier this month, Tom Waldman gave a talk at Harvard’s Belfer Center for Science and International Affairs.

The talk was Clausewitz and the Politics of War, and a summary is below.

War, Clausewitz and the TrinityTom Waldman is ESRC Research Fellow in the department of Politics at the University of York, and author of War, Clausewitz and the Trinity.

Two hundred years ago, in early May 1813, a 32 year old Prussian officer was recovering from wounds sustained only days earlier during the chaotic Battle of Lutzen. He had led repeated cavalry charges as part of the allied German and Russian forces confronting Napoleon’s Grand Army. At one point, finding himself surrounded by French soldiers, he had had to fight his way out in desperate hand to hand combat. Also, his face was blackened from frostbite having spent the winter pursuing French forces during their disastrous retreat from Moscow, and he had personally witnessed the dreadful crossing of the Berezina River. Tom Waldman Harvard talk May 2013This soldier was Carl von Clausewitz.  But why is it that still even today, senior figures such as Colin Powell and General McChrystal publicly invoke the ideas of this man? Basically, I tried to shed light on that question during the talk.

My central argument was really quite simple: that the meaning of Clausewitz’s famous dictum – ‘war is a continuation of politics by other means’ – embraces a great deal of complexity and depth that is all too often missed. Clausewitz’s aphorism appears almost everywhere, but often only in passing, and it’s often mistakenly represented as the totality of his theorising, or used out of context in a simplistic and vague sense. So, for instance, Martin van Creveld could claim that Clausewitz believed war was ‘a rational instrument for the attainment of rational social ends’.

However, in recent years there has since been something of a renaissance in Clausewitz studies and I think what we are seeing is a general shift from the idea of the primacy of policy to the primacy of politics. Clausewitz stated that, ‘Nothing is more important in life than finding the right standpoint for seeing and judging events, and then addressing them.’ War as a continuation of politics, properly understood, was for him precisely that standpoint.

I outlined what I think are the three key political perspectives of war in Clausewitz’s thought. First, political conditions essentially provide the broad context and give meaning and form to the other two perspectives. For Clausewitz, political conditions represented the ‘womb of war’ from which it emerges; it largely explains the ways group fight, who they fight and, indeed, the objects they fight for. Second, war’s subordination to policy presents a unilateral, subjective perspective, and it is from this perspective that most of the mistaken assumptions of pure rationality derive. Here it is important to distinguish between Clausewitz’s prescriptive insights and those that simply seek to describe the phenomenon. Clausewitz claimed that in war there would be for the actors involved a definite if messy interaction between ends and means, that weaves a thread of reason through the whole, even if the tapestry hangs together only loosely given the many barriers to perfect rationality that exist in war.

Third, there is often there’s a failure in reading Clausewitz to progress from the subjective idea of subordination to the wider implications of ‘continuation’. These two perspectives are interwoven, juxtaposed and at times almost elide in On War. In the crucial Chapter 6B of Book 8 of On War, the transition from one perspective to the other is almost missed. To take just one instance of this, he states, ‘When whole communities go to war the reason always lies in some political situation, and the occasion is always due to some political object. War, therefore, is an act of policy.’ So, essentially for Clausewitz war is both a continuation of the interactive political situation and the instrument employed by the actors that make up that situation. The two perspectives are inseparable and implicated in the meaning of the other. ‘Continuation’ thus embraces all three perspectives that I have identified and serves as holistic means of understanding the relationship between politics and war: war is a continuation of a multidimensional political situation comprised of the competing policies of those involved, both of which are shaped in important ways by preexisting political conditions.

I then explored four theoretical implications emerging from this. First, war can never be understood as autonomous but is always part of a wider whole, which is politics – war is itself a form of political behaviour, only it employs different means. Second, war is ensconced within a complex, perpetually shifting ‘political web of war’ – the multitude of actors and relationships within, between and beyond belligerents. Third, during war there will be a continuous, simultaneous and non-linear reciprocal feedback between the use of force, politics and policy. Fourth, understanding the psychology of the politics of war brings all these perspectives and implications together – the role of perceptions are crucial to understanding the political effects of the use of force. War does not contain in itself the elements for a final settlement, but beyond situations where the enemy is completely destroyed (which is very rare), the enemy must be persuaded to submit. This all underlines the often ambiguous nature of military victory and the way in which politics has an unnerving habit of delivering its own verdict on events.

The complexity of the politics of war is too often ignored by theorists and commanders alike: war is conceived as unilateral, autonomous, linear, material and rationally controllable. It might be said that much of this is obvious, common-sense, maybe even banal. I would argue, in many respects it is. But it is staggering how often these basic points are forgotten or ignored. In Iraq and Afghanistan, Western states have struggled to employ their militaries as effective instruments of policy, and primarily I would argue due to political myopia, rather than to any major military shortcomings.

Force has often been employed as if in a political vacuum; little attempt has been made to understand the enemy, it’s objectives, character or psychology; policy has been incoherent, short-termist and introspective; political actors have failed to properly understand the wars they oversee or provide clear guidance as to objectives; the military has therefore dominated strategic decision-making in what are intensely political situations; and instruments of force have been used for their own sake, simply because they are available. And interestingly, what course corrections have taken place have primarily been of a political nature: the Sunni Awakening; the move towards reconciliation in Afghanistan and so forth. Most regrettably, troops on the ground have been repeatedly let down by strategic ineptitude and their efforts not translated into meaningful political effect.

The incredible complexity Clausewitz’s terse dictum embodies calls for the sophisticated socio-political understanding and psychological intuition of genius – Clausewitz states that even ‘Newton himself would quail before the algebraic problems it could pose’. However, given that war is always an interactive phenomenon, perhaps the only real comfort is that the political genius required only needs be relative, not absolute. That Clausewitz recognised the fundamentally complex political nature of war in an age dominated by the annihilation battle is I think testament to his own remarkable genius.

Linda Connors Wins Bela Kornitzer Book Award

Posted by Ally Berthiaume, Marketing Coordinator

National Identity in Great BritainAshgate is proud to announce that Linda Connors, co-author (with Mary Lu MacDonald) of National Identity in Great Britain and British North America, 1815–1851, received the Bela Kornitzer Book Award, for the best nonfiction book by an alumnus of Drew University published in the past two years.  Only two prizes were given at the University’s biennial Library Gala, one to a Drew faculty member and one to a graduate. Connors is Senior Librarian for Collections, Emerita, at Drew University. Her research and writing have centered on the early nineteenth-century periodical press in Great Britain.

The 2011 book, National Identity in Great Britain, for which she won the award, examines the complex world of print culture in the nineteenth century and illustrates how periodicals in the United Kingdom and British North America shaped and promoted ideals about national identity. Victorian Periodicals Review stated that the book “structures its comparative study of nineteenth-century identity messages around five themes…politics and economics, religion, women and children, the idea of progress and imperial relations” and includes a comprehensive bibliography as well as a very useful appendix.

The Bela Kornitzer Book Award was established twenty years ago by Alicia Kornitzer Karpati and husband, George Karpati, to honor Alicia Karpati’s brother, Bela Kornitzer, an achieved author and journalist in both Hungary and the United States.  The Bela Kornitzer collection is one of several special collections housed at the Drew University Library.

We are pleased to see an Ashgate author honored with such an award and congratulate her on her success.

For information on other Ashgate prize winning titles, visit www.ashgate.com/prizewinners.

Alexander Ivashkin and Andrew Kirkman talk about their new book on Shostakovich on Voice of Russia radio

Alice Lagnado and conductor Julian Gallant recently talked to Alexander Ivashkin and Andrew Kirkman about their recent edited volume, Contemplating Shostakovich: Life, Music and Film.

You can listen to the interview on The Voice of Russia radio.

Contemplating ShostakovichThe chapters in Contemplating Shostakovich uncover ‘outside’ stimuli behind Shostakovich’s works, allowing the reader to perceive the motivations behind his artistic choices.

His often ostensibly quirky choices are revealed as responses – by turns sentimental, moving, sardonic and angry – to the particular cultural, social, and political conditions, with all their absurdities and contradictions, that he had to negotiate. In the book we see the composer emerging from the role of tortured loner of older narratives into that of the gregarious and engaged member of his society that, for better and worse, characterized the everyday reality of his life.

This collection offers remarkable new insight into the nature of Shostakovich’s working circumstances and of his response to them.

Contributors: Elizabeth Wilson; Alexander Ivashkin; Gilbert C. Rappaport; Ivan Sokolov; Erik Heine; John Riley; Olga Dombrovskaia; Inna Barsova; Vladimir Orlov; Terry Klefstad; Olga Digonskaia.

We are delving deeper into the ancient world… Do you have a proposal for us?

Did you know that we have a new ancient history list?

Ancient history is an area of dynamic research and scholarship and Ashgate’s new ancient history list will publish the books that showcase this innovative work. Our focus is the history and archaeology of the ancient Mediterranean from the Greece of Homer to the world of late antiquity.

Michael GreenwoodWe are actively seeking new book proposals in the field of ancient history. Please send a preliminary letter of inquiry, briefly describing your project to Michael Greenwood, Senior Commissioning Editor, Ancient History

Please visit www.ashgate.com/authors for guidelines that provide potential authors with an outline of the basic details we need in order to make an initial assessment of the proposed book.

Browse Ancient and Classical History books on our website

Interested in publishing your research in pilgrimage studies?

Posted by Luana Life, Marketing Coordinator

We are seeking book proposals for two new series!

Once relatively neglected, pilgrimage has become an increasingly prominent topic of study over the last few decades. Its study is inevitably inter-disciplinary, and extends across a growing range of scholarly fields, including religion, anthropology, geography, history, literary studies, art history, archaeology, sociology, heritage and tourism studies. This process shows no sign of abating—indeed, it looks set to continue to expand. Our series comprise:

Ashgate Studies in Pilgrimage

This new series seeks to expand scholarly conversations in pilgrimage, including themes as diverse as pilgrimage within national and post-national frames, pilgrimage-writing, materialities of pilgrimage, digi-pilgrimage and secular pilgrimage.

Series Editors: Simon Coleman, University of Toronto, Canada; Dee Dyas, University of York, UK; John Eade, University of Roehampton UK and University College London, UK; and Jas’ Elsner, University of Oxford and Unviersity of Chicago

Compostela International Studies in Pilgrimage History and Culture

This series deals with the universal phenomenon of pilgrimage, understood in a wide sense, making available the latest research sponsored by the IEGPS. It focuses on historical, cultural, political and religious aspects of the subject, prioritizing multidisciplinary and diverse approaches and analyses, with volumes covering historical periods from the medieval to the modern and a world-wide geographical range.

Series Editor: Antón M. Pazos, IEGPS, Santiago de Compostela, Spain

To learn more about these series, please visit the series pages on our website:

Ashgate Studies in Pilgrimage

Compostela International Studies in Pilgrimage History and Culture

Clausewitz as Creative Director

Tom WaldmanThis is a guest post by Thomas Waldman, author of War, Clausewitz and the Trinity

So, Clausewitz’s ideas, as he himself predicted, continue to bear the brunt of much ‘half-baked criticism’. In a recent article in Foreign Policy, John Arquilla extols a creative design approach to armed conflict, which involves ‘a puzzle to be solved about what kind of force to build’ – a consideration, he argues, that was ignored by even the greatest thinkers on war such as Clausewitz. In my response here, I demonstrate that Arquilla’s depiction of Clausewitz and his understanding of design in war are somewhat mistaken.

War, Clausewitz and the TrinityAt the heart of the problem with Arquilla’s piece is conceptual confusion. As I explain in my book, War, Clausewitz and the Trinity, the great Prussian stated that it is important to ‘clarify concepts and ideas that have become, as it were, confused and entangled.’

The examples presented in Arquilla’s piece appear to cover just about every activity in war and are best explained by terms that already exist and, moreover, which in their modern form were essentially defined by Clausewitz: namely, strategy and tactics. Nevertheless, if design is meant in the narrower sense of the shaping of armed forces, then design as a concept begins to make more sense. But contrary to Arquilla’s claim that design can serve as an independent solution to military problems, Clausewitz would remind us of the multitude of factors that impinge on success in war, and none more so than the political basis of war.

Two Ashgate books nominated to be honored at this year’s Geographical Perspectives on Women (GPOW) Book Event at the AAG

We are delighted to learn that two Ashgate books have been nominated to be honored at this year’s Geographical Perspectives on Women (GPOW) Book Event at the 2013 AAG Meeting in Los Angeles:

Feminist ImmobilitiesFeminist (Im)Mobilities in Fortress(ing) North America: Rights, Citizenships, and Identities in Transnational Perspective (Edited by Anne Sisson Runyan, and Amy Lind, both of University of Cincinnati, USA, Patricia McDermott, York University, Canada and Marianne H. Marchand, Universidad de las Américas Puebla, Mexico)

The Illegal CityThe Illegal City: Space, Law and Gender in a Delhi Squatter Settlement (Ayona Datta, University of Leeds, UK)

The book reception will be held on Wednesday, April 10, 7-9:30pm at The Last Bookstore, 453 S. Spring Street, a new and used bookstore located within walking distance of the Conference hotel in Downtown LA.

The Association of American Geographers meeting runs from 9-13 April 2013, in Los Angeles. Katy Crossan, Commissioning Editor for Geography, will be there with a book display, where you can see these books and many others from Ashgate’s list. Katy is actively seeking new book proposals and would be delighted to discuss any book ideas you may have.