Posted by Maxine Cook, Marketing Assistant
This week, James Saunders has uploaded his interview with Rhodri Davies.
Interview with Rhodri Davies:
The work of the group of the younger generation of improvisers subsequently labelled New London Silence has been important to my own development as a composer. Their interest in quiet, carefully placed sounds came at a time when I was beginning to engage with similar material in my own notated work, and this was reinforced by knowing Rhodri Davies from his time as a postgraduate in Huddersfield in the mid-1990s. His interest in improvisation developed from around then – I was at his first improvised performance – and grew into a music which has been extremely influential over the past decade. His response to the prevailing conditions was to do the opposite, initially looking to small gestures and silence as a way of reassessing conventions, but more recently exploring a wider palette of sounds, expanding the scope of his instrumental preparations. He describes this as a gradual process, one which developed organically: it is mirrored by his approach to group work, where his strategy is to challenge himself to work against the grain. This is not to say he is deliberately reactionary: these trajectories are creatively necessary to stimulate change. Davies also works regularly with notated music, and has commissioned much new work for the harp. He draws a clear line between his work as an improviser and his expectation of notated music written for him however. The music’s identity must not be reliant on a mining of his resources as an improviser, a view echoed by other practitioners concerned about the appropriation of their work by composers.
The interview was conducted by telephone on 9 October 2007
Read the full interview here.
All the interviews from James Saunders can be found in The Ashgate Research Companion to Experimental Music.