Tag Archives: Pop music

Matthew Reisz writes in the Times Higher about “Rock On: Women, Ageing and Popular Music”

The piece is entitled “This is not the end, my friends”…

Different strategies for dealing with ageing adopted by performers such as Courtney Love, Celia Cruz, Madonna and “mothers who rock”, are explored in a new collection edited by academics from the University of Gloucestershire.

‘Rock On': Women, Ageing and Popular Music was put together by Ros Jennings, reader in cultural studies, and Abigail Gardner, subject group leader for media courses, who also contributed chapters on, respectively, Shirley Bassey and Petula Clark, and the “shock and awe” generated by the “ageless black body” of Grace Jones.

The editors describe themselves as women who are “getting on a bit” but “haven’t yet gravitated to the same deep love of Brahms as we have for pop … As ageing women, we are still buying new music and going to festivals (though now we take chairs).” Dr Gardner admitted that this could embarrass her children, but said her “students appreciate the fact I was there when Joy Division was around or that I saw Fela Kuti play at Glastonbury. I have a background of interests they can identify with.”

Read the full review on the Times Higher Ed website

 Further information about Rock On: Women, Ageing and Popular Music

Sgt. Pepper and the Beatles

The first concept album in the history of popular music, the soundtrack of the Summer of Love or ‘Hippy Symphony No. 1′: Sgt. Pepper’s Lonely Hearts Club Band is first and foremost the album that gave rise to ‘hopes of progress in pop music’ (The Times, 29 May 1967). Sgt. Pepper and the Beatles, edited by Olivier Julien, commemorates the fortieth anniversary of this masterpiece of British psychedelia by addressing issues that will help put the record in perspective. These issues include: reception by rock critics and musicians, the cover, lyrics, songwriting, formal unity, the influence of non-European music and art music, connections with psychedelia and, more generally, the sociocultural context of the 1960s, production, sound engineering and musicological significance. The contributors are world renowned for their work on the Beatles: they examine Sgt. Pepper from the angle of disciplines such as musicology, ethnomusicology, history, sociology, literature, social psychology and cultural theory.