We’re delighted to learn that Sharon Gregory’s book Vasari and the Renaissance Print was highly commended by the 2014 Society for Renaissance Studies book prize judges.
From the SRS website:
The 2014 SRS book prize was awarded to Alec Ryrie for his book, Being Protestant in Reformation Britain (OUP, 2013). Two other books were highly commended, Guido Alfani, Calamities and the Economy in Renaissance Italy: The Grand Tour of the Horsemen of the Apocalypse, trans. Christine Calvert (Palgrave, 2013), and Sharon Gregory, Vasari and the Renaissance Print (Ashgate, 2012).
The judges were impressed by the high standard of the books entered for the prize and were extremely grateful to all the many publishers who sent in their books to the committee making the decision of choosing a winner extremely difficult.
Professor Gregory’s book was singled out by all three judges because of its comprehensive nature and painstaking research in making available for a wide readership all the prints associated with Giorgio Vasari, and for providing a fascinating commentary that explains why they were so central to his thinking and artistic practices. The book is the product of many years of serious scholarship and is exactly the sort of work that justifies what academics do in opening up the archive for others to understand and use and which makes being part of the profession a pleasure. The committee also wishes to congratulate the publishers for producing such high quality images.
Read the full announcement here
About the Author: Sharon Gregory is Associate Professor in Art History and Erasmus Chair in Renaissance Humanism at St Francis Xavier University, Canada.
As well as being highly Commended for the SRS Book Prize, Vasari and the Renaissance Print also received honorable Mention for the IFPDA Book Award, 2013, and was designated as a US Core Title for 2012 by Yankee Book Peddler.
‘… an exemplary piece of scholarship, deeply considered and scrupulously documented, that will be of interest to curators and historians and literary scholars alike. The first focus here concerns the many uses Vasari made of the prints both for his own artistic production and then for the accounts of those artists included in his text The Lives whose work he knew from evidence such as this. But Gregory also lays out here a fascinating and carefully grounded account of the dissemination of visual materials in this first moment of printing and the ways prints could become a vital part of the larger culture. It is rare to find a study on these subjects that is so sure of its details yet manages also to move beyond them to offer original insights and conclusions.’ David Cast, Bryn Mawr College; author of The Delight of Art: Giorgio Vasari and the Traditions of Humanist Discourse
‘This well-researched and well-structured book examines a number of different aspects of its subject… This very welcome book opens up many perspectives beyond its immediate subject.’ The Burlington Magazine
‘… an ordinary reader with a passing knowledge of Italian Renaissance art will find much of interest in this new book… these essays form a clear, well-sourced analysis of the role of prints in the Renaissance artist’s studio.’ The Art Newspaper
‘This clearly written, well-researched, and intelligently structured book will remain a fundamental point of reference for all those interested in the history of printmaking as well as in Vasari’s fundamental contribution to art history.’ Renaissance Quarterly
‘[Gregory’s] very wide-ranging and clearly written text is a valuable source of evidence and ideas for anyone interested in theVite, or for the use of prints in Renaissance workshops.’ Print Quarterly
‘Throughout Vasari and the Renaissance Print the author displays an admirable depth of knowledge with fascinating statistics, such as … the history of prints, Vasari, Florentine history, and print culture in early modern Europe.’ Sixteenth Century Studies Journal
Full information about Vasari and the Renaissance Print