Posted by Maxine Cook, Marketing Assistant
This week, James Saunders has uploaded his interview with Phil Niblock.
Interview with Phil Niblock:
Phill Niblock has been developing his layered drone pieces for nearly forty years, working with multi-tracked sampled recordings of solo instruments that combine to produce a vibrant beating of fractionally detuned difference and sum tones. Heard live, the physical impact of his work is powerful: the chaotic richness found within the wall of sound he presents takes time to emerge, but once attuned to reveals an interweaving of dense oscillating counterpoint. The scale of his pieces is important too in this regard: most average around 20 minutes, a duration which is essential for this attuning process. I first heard Niblock’s live performance in Ostrava in 2001. He was midway through his annual European concert tour and spent a morning playing five pieces accompanied by his films of people working. Although I had heard some of his music on CD previously, this had not prepared me for its live performance. As with my early encounters with the work of many of the people interviewed here, it was an experience which changed how I thought about music.
The interview was conducted by telephone on 11 May 2007.
Read the full interview here.
All the interviews from James Saunders can be found in The Ashgate Research Companion to Experimental Music.